• Tv Theme Songs Mp3

TV theme songs have marked the passage of time. We've all got our favorite theme song, no matter if. Television 19 Tracks 80307 Views. 50's Tv Theme Songs. The Avengers Theme Song 60s. Free ringtone downloads for Android cell phones. High Quality Ringtones. Free Ring Tones. To honor the lost art of theme songs I’ve created a list of the top TV themes of the best decade in television history. Before we get into it, I did have to set some qualifications: a lot of shows began in the 70s and ended in the 80s, or began in the 80s and ended in the 90s.

TV theme songs are often the first impression viewers get of a promising show. You never get a second chance to make a first impression (that's why my parents still refer to me as 'Mr. Poopy Pants').

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That's why it's so important that shows have a great opening, which has led to some absolutely stunning theme songs. On this, the 36th anniversary of The Greatest American Hero (and its corresponding theme song's) debut, we decided to rank the 30 best sci-fi TV show themes. First, some ground rules: - No shows primarily aimed at kids were allowed (otherwise every single entry in the list would be ). Only the audio was considered (not the video portion of the intro).

Original compositions only! Star Trek: TNG's theme was taken from the movie, and SG-1 was an amalgam of previous themes, so they weren't eligible for this list. To judge these, they were played through a TV, just as millions of viewers experienced them each week. So, people at work using headphones to duck your boss, your mileage may vary. That said, let's take a look at the songs that, despite being on the air only once a week, manage to lodge themselves firmly in the collective mind of geeks everywhere. When producers go out of their way to make a song that is both original and well-made, the results are usually quite fun.

Dark Angel featured a rap intro from MC Lyte and Chuck D. Frankly. I would have preferred the MC Lyte verse alone, it really underscores the 'this is a lady superhero and she is freaking hard' angle. I love Public Enemy, but the contrast between Chuck D's usual aggressive lyrical style and words describing lighthearted comic book action is jarring.

Feels like if Malcolm X tried to sell toothpaste. The contest was clear, if eccentric: Submit a theme song for Angel that had, according to creators' demands, 'dark superhero ideas' and 'cello-rock.'

The winning submission was from band Darling Violetta (and, if you think that name is pretentious, consider the fact that they titled this TV theme song, 'Catharsis of Sufferance'). Solid tune though, with a unique hook that does say, 'cello-rock.'

It doesn't quite say, 'vampire hunk sets up shop in L.A.,' but that sentiment is difficult to convey with that particular string instrument. Another case of too-much-exposition in the intro (how does seeing Patrick McGoohan resign every week 'catch us up' on the fact that he is trapped in an old-timey village by a flying orb?). Still, that's not the fault of the brilliant instrumental that kicks off every episode of this underrated show. Originally, Creator Patrick McGoohan contacted composer Robert Farnon for a theme song. As mentioned, the complicated plot themes of The Prisoner seems to have stymied composers, as McGoohan had to audition and pass on another veteran writer before finally turning to Ron Granier. Granier, who also wrote the theme for Doctor Who (which placed quite highly on this list), seemed to have a penchant for writing themes for shows where we have no idea what is going on (see the title of the 1968 Granier-themed film, Only When I Larf). This theme song's greatness is due to its legendary composer: John Williams (although he was listed in the credits under the totally different name of `Johnny Williams').

Williams wrote two different takes on the theme, both used at different points in the series, and did most of the score for the classic space show. Williams' familiar genius shines through: He actually manages to use the slide whistle in a way that is not completely offensive. It really makes the listener feel like they are lost in space. Except for, you know, the lack of atmosphere rendering any orchestral music utterly inaudible.

As the story goes, this song was initially improvised by Barenaked Ladies at a Los Angeles concert. The lead singer had just finished reading Big Bang: The Most Important Scientific Discovery of All Time and Why You Need to Know about It (hopefully not during the actual concert). By coincidence, attending the concert were BBT creators Chuck Lorre and Bill Prady. It would have placed higher, except for the glaringly bad insertion of the word 'wait' into the lyrics ( Then nearly fourteen billion years ago expansion started, wait / The earth began to cool, the autotrophs began to drool). I'd be less harsh, but this is the Barenaked Ladies, a genius band whom I don't mind holding to higher standards than most theme song composers. Co-written by Oscar-winning composer Paul Webster.

Tv Theme Songs Mp3

Fun rumor behind this one: It was whispered that the bassline was laid down by legendary jazzman Charles Mingus. Known as the 'Angry Man of Jazz,' Mingus had just a few years prior gone so far as to dismiss part of his band because he didn't think they practiced enough. Which makes the fact that this was a real rumor odd.

But, they get a free pass with me, there. It's jazz: there are a thousand random notes, what are the odds they won't hit E-G-A-A-G-E eventually? A lot of people ask me if MacGyver is science fiction, to which I reply, 'no, you really can make an airplane out of garbage bags and bamboo.' In fact, the music transforms the intro into something great from. Composed by Randy Edelman, the song is so ubiquitously associated with the show that it was brought back for the theme song of the 2016 reboot. My wife and I submitted lyrics for the reboot, ( Can I borrow some gum? I need to make a bomb. Can I borrow your gun?

I need to throw it away. P-p-p-p-p-p-p-p-party in the back! That's my hair!) and are eagerly sitting by the phone waiting for the producers to call. This modern classic theme song closely parallels the Mission Impossible theme: Tension ratcheting opening measures, finally sent over the top by a powerful punch from the brass section. Thirlwell composed the song, dubbing it No Vacancy. The intensity and overall goodness of the Venture Bros theme supports my theory that crazy people write the best theme songs, as Thirwell is known for quips such as 'I have this idea that after the apocalypse, there will be no power no electricity but there will be these sheaves of paper blowing down a dusty road and someone will grab one and it will be one of my scores and they’ll have a sort of broken violin and play it. They’ll have no Internet but they’ll have this piece of paper.

Every time I go to Coney Island I stuff a few more in a bottle.' Staccato plucking with a throbbing bass line and super-80s synth combine to create one of the most unique and memorable theme songs of all time. The narration also wins the all-time award for 'burying the lede:' Knight Rider, a shadowy flight into the dangerous world of a man who does not exist. Michael Knight, a young loner on a crusade to champion the cause of the innocent, the helpless, the powerless, in a world of criminals who operate above the law. WHAT ABOUT THE CAR, NARRATOR?

Like most of your target audience, I'm 5 years old and/or high: I don't understand character development, corruption, or even death. Now, you might be saying 'Hey, freakazoid, you said no kids shows!' But Greatest American Hero was initially aimed at adults before being retooled as a kids' show after the first season (also, I don't enjoy the nickname, 'freakazoid'). A list of best theme songs without 'Believe it or Not' is like a list of 9th century scientists without Ibn al-Haytham. The brilliant lyrics overlap the notion of being a suddeny-superhero with the notion of falling in love for the first time. Which is great, but also a stark reminder of the dangers of falling in love then thinking one can jump out of a window. Spooky and edgy, this 1963 theme song possessed more never-before-seen technology than the Doctors themselves.

Commercial synthesizers were not yet a thing, so the recorder (Delia Derbyshire, not to be confused with the song's composer, Ron Grainer) had to take recordings of guitar notes, white noise, and harmonic waves from oscillators meant solely for the purpose of testing equipment. By stretching out the analogue tape, Derbyshire achieved the out-of-this-world sounds.

Every instrument and sound had to have its own 'line' of manipulated analogue tape, then those tapes had to be adjusted so they were the same tempo, then played simultaneously on different playback machines so the entire thing could be recorded as an ensemble. This was, in a word, brutal: One mis-estimate in snipping tape or a playback machine that was not quite at the exact same speed as the others meant stopping, making the adjstment, then re-starting. The creation of a well-synthesized, well-mixed song in an era before synthesizers and multi-tape mixers is what vaults this groundbreaking composition to the top of the rankings.

With minor modifications, this served as the theme song for 17 years, four doctors,. Didn't see your favorite them song here? I'd love to hear all about it in the comments section. Dissent is welcome, but don't call me a turd-monger (or I'll mistake you for my parents, which would get awkward).