• Miglior Cinema Italiano

(1911) the first full-length Italian feature film ever made The Italian film industry took shape between 1903 and 1908, led by three major organizations:, based in Rome; and the Turin-based companies. Other companies soon followed in Milan and Naples, and these early companies quickly attained a respectable production quality and were able to market their products both within Italy and abroad. Early Italian films typically consisted of adaptations of books or stage plays, such as 's (1906) and 's 1908 adaptation of the novel,. Also popular during this period were films about historical figures, such as Caserini's Beatrice Cenci (1909) and 's Lucrezia Borgia (1910)., produced by in 1911, was the first full-length Italian ever made. Popular early Italian actors included,. A still shot from (1945),. By the end of, the Italian 'neorealist' movement had begun to take shape.

Neorealist films typically dealt with the working class (in contrast to the Telefoni Bianchi), and were shot on location. Many neorealist films, but not all, utilized non-professional actors. Though the term 'neorealism' was used for the first time to describe ’s 1943 film, there were several important precursors to the movement, most notably Camerini's (1932), which was the first Italian film shot entirely on location, and Blasetti's 1942 film,. (1948), by, ranked among the best movies ever made. Ossessione angered Fascist officials. Upon viewing the film, Vittorio Mussolini is reported to have shouted, 'This is not Italy!' Before walking out of the theater.

The film was subsequently banned in the Fascist-controlled parts of Italy. While neorealism exploded after the war, and was incredibly influential at the international level, neorealist films made up only a small percentage of Italian films produced during this period, as postwar Italian moviegoers preferred escapist comedies starring actors such as. Neorealist works such as 's trilogy (1945), (1946), and (1948), with professional actors such as and a number of non-professional actors, attempted to describe the difficult economic and moral conditions of postwar Italy and the changes in public mentality in everyday life.

Visconti's (1948) was shot on location in a Sicilian fishing village, and utilized local non-professional actors., on other hand, used actors such as and in his 1949 film, which is set in the during rice-harvesting season. Poetry and cruelty of life were harmonically combined in the works that wrote and directed together with screenwriter: among them, (1946), (1948) and (1951). The 1952 film showed a poor old man with his little dog, who must beg for alms against his dignity in the loneliness of the new society. This work is perhaps De Sica's masterpiece and one of the most important works in Italian cinema.

It was not a commercial success and since then it has been shown on Italian television only a few times. Yet it is perhaps the most violent attack, in the apparent quietness of the action, against the rules of the new economy, the new mentality, the new values, and it embodies both a conservative and a progressive view. Although Umberto D. Is considered the end of the neorealist period, later films such as 's (1954) and De Sica's 1960 film (for which won the Oscar for Best Actress) are grouped with the genre.

Director 's first film, (1961), shows a strong neorealist influence. Italian neorealist cinema influenced filmmakers around the world, and helped inspire other film movements, such as the and the. The Neorealist period is often simply referred to as 'The Golden Age' of Italian Cinema by critics, filmmakers, and scholars. Pink neorealism and comedy. In (1963) by, considered to be one of the greatest films of all time It has been said that after Umberto D.

Nothing more could be added to neorealism. Possibly because of this, neorealism effectively ended with that film; subsequent works turned toward lighter atmospheres, perhaps more coherent with the improving conditions of the country, and this genre has been called pink neorealism. This trend allowed better-'equipped' actresses to become real celebrities, such as,. Soon pink neorealism, such as (1954, released in the US as Frisky) with and, was replaced by the, a unique genre that, born on an ideally humouristic line, talked instead very seriously about important social themes. In his first movie (1937) At this time, on the more commercial side of production, the phenomenon of, a Neapolitan actor who is acclaimed as the major Italian comic, exploded. His films (often with and almost always with ) expressed a sort of neorealistic satire, in the means of a guitto (a 'hammy' actor) as well as with the art of the great dramatic actor he also was. A 'film-machine' who produced dozens of titles per year, his repertoire was frequently repeated.

Italian Cinema Italian movies and cinema of Italy Italians are known for their passion, humor, and vitality, and these qualities have certainly been reflected in Italian cinema over the years. Nuovo Cinema Italiano Film Festival (NCIFF) presents the most artistically significant of contemporary Italian cinema from both established and emerging directors. With feature film screenings, special guests and a variety of events, NCIFF is the premiere event in the Southeast, U.S.A, promoting Italian arts, language and culture.

About 'Cinema Italiano (from Nine)' Digital sheet music for marching band, complete collection. The motion picture musical Nine received numerous awards and nominations, with Kate Hudson practically stealing the show with her exciting performance of 'Cinema Italiano.'

His personal story (a prince born in the poorest rione (section of the city) of ), his unique twisted face, his special mimic expressions and his gestures created an inimitable personage and made him one of the most beloved Italians of the 1960s. Italian Comedy is generally considered to have started with 's I soliti Ignoti (, 1958) and derives its name from the title of 's Divorzio all'Italiana (, 1961).

For a long time this definition was used with a derogatory intention., and were among the stars of these movies, that described the years of the economical reprise and investigated Italian customs, a sort of self-ethnological research. In 1961 directed Una vita difficile ( ), then (The Easy Life), now a cult-movie, followed by: ( The Monsters, also known as 15 From Rome), In nome del Popolo Italiano ( In the Name of the Italian People) and ( Scent of a Woman). Monicelli's works include La grande guerra ( ), I compagni ( Comrades, also known as ), ( We Want the Colonels), Romanzo popolare (Popular Novel) and the series. A series of black-and-white films based on character created by the Italian writer and journalist were made between 1952 and 1965. These were French-Italian coproductions, and starred as Don Camillo and as Peppone. The titles are:,. Began filming the film Don Camillo e i giovani d'oggi but had to stop filming due to Fernandel's falling ill, which resulted in his untimely death.

The film was then completed in 1972 with playing the role of Don Camillo and as Peppone. A Don Camillo ( ) film was remade in 1983, an Italian production with directing and also starring as Don Camillo. Performed Peppone in one of his last film roles. Hollywood on the Tiber. Main article: With the release of 1958's, starring American bodybuilder, the Italian film industry gained entree to the film market. These films, many with mythological or Bible themes, were low-budget costume/adventure dramas, and had immediate appeal with both European and American audiences.

Besides the many films starring a variety of muscle men as Hercules, heroes such as and Italian fictional hero were common. Sometimes dismissed as low-quality escapist fare, the Peplums allowed newer directors such as and a means of breaking into the film industry. Some, such as Mario Bava's (Italian: Ercole Al Centro Della Terra) are considered seminal works in their own right. As the genre matured, budgets sometimes increased, as evidenced in 1962's ( The Seven Gladiators in 1964 US release), a wide-screen epic with impressive sets and matte-painting work. Most Peplum films were in, whereas previous Italian efforts had often been black and white.

Miglior Cinema Italiano

Main article: On the heels of the craze, a related genre, the arose and was popular both in Italy and elsewhere. These films differed from traditional by being filmed in Europe on limited budgets, but featured vivid cinematography. The most popular Spaghetti Westerns were those of, whose (, and ), featuring and scores by, came to define the genre along with. Also considered Spaghetti Westerns is a film genre which combined traditional western ambiance with a -type comedy; films including and, which featured and, the stage names of. Main article: During the 1960s and 70s, Italian filmmakers, and developed horror films that become classics and influenced the genre in other countries.

Representative films include:,. Due to the success of the film series the Italian film industry made large amounts of imitations and spoofs in the genre from 1964-1967. Following the 1960s boom of shockumentary ' such as 's, during the late 1970s and early 1980s, Italian cinema became internationally synonymous with violent horror films. These films were primarily produced for the market and were credited with fueling the ' era in the. Directors in this genre included,. Some of their films faced legal challenges in the; after the, it became a legal offense to sell a copy of such films as. Italian films of this period are usually grouped together as.

Several countries charged Italian studios with exceeding the boundaries of acceptability with their late-1970s films, inspired by American movies such as. The Italian works included the notorious but comparatively tame SS Experiment Camp and the far more graphic (Italian: L'ultima orgia del III Reich). These films showed, in great detail, sexual crimes against prisoners at concentration camps. These films may still be banned in the and other countries.

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